The story of our first project with cinematrons. In a series of articles I will talk about how cinema and robotics are related, and about the features of copter control for automatic video filming. There will also be about our experience in the subject and the Hollywood dream.
It's understood that Hollywood
sells Californication
It seems to me that I have an unusual "creative path". I started my acquaintance with Unix systems with QNX, a microkernel real-time system with a beautiful "correct" architecture, working with UAVs - with airships that use aerostatic lift and look more like a submarine than a conventional drone copter. I started working with multicopters later with the first independent project of our RaccoonLab team, which consisted in creating a system for automated feature films from a drone. The originality of this project was also in the fact that it was done remotely, in cooperation with a team in the valley, which for robotics, even in the current times of generally recognized remote control, remains unusual.
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And tidal waves couldn't save the world
From Californication